Monday, 26 March 2018

Pacific Rim: Uprising movie reivew

Here's what you need to know; it's been a decade since humanity closed the Breach and won the war against the Kaiju, but while some areas of the globe have been propelled forward to a brighter future, vast areas of the Pacific coast are still struggling to recover. The victory also brought with it however a new wave of Jaegers, ranging from tiny one-man rigs built from scrap, to building sized automated drones. But while the contentious drone program ignites debate in the PPDC, a new threat emerges from the depths of the Pacific, one that may herald the return of the Kaiju, and leaves the survival of all life on Earth hanging in the balance.
So Pacific Rim 2 finally got made, and I should be happy about that, so why aren't I? My concern was obvious; Del Toro not directing this sequel was a huge red flag to me, as Pacific Rim could easily have been garbage were it not for his masterful execution, but while he was off making a best picture winner, Pacific Rim 2 looked to be helmed by a first-time director and a studio still craving a taste of that MCU magic. But the important question is is Pacific Rim: Uprising good? Now that's a question.

This film raised my brow right out of the gate, showing footage from the first Pacific Rim in a prologue sequence. I knew this wouldn't bode well for my enjoyment of the film, though I know it's there as a sort of 'previously on' to catch the audience up. I thought it would be like being reminded of that amazing Indian restaurant you went to once before tucking into a cheap takeaway curry, and sadly, as you will learn throughout this review, I was right to think that. Let's start with the characters in the film, not exactly the first film's greatest strength, so it could only get better, right? John Boyega is great as usual, and is very charming as Jake Pentecost, Idris Elba's character from the first film's son. It's good that he's such a likable guy, as he gets all the screen time, which isn't all that untrue, it's about 70%, I do prefer him as a hero to Charlie Hunnam's Becket, but that's no doubt down to John Boyega's coolness rather than any kind of improvement in the writing department. But him hogging the screen time kind of leaves the rest of the cast in the shade, and like the first film, most of the supporting cast gets the short end of the stick in terms of character development. This film's Mako is a little girl named Amara, played by acting newcomer Cailee Spaeny, and just like Mako, she has a troubled past with the war and the Kaiju, one that at least explains her motivation for building a Jaeger, though not necessarily her means. Scott Eastwood's Lambert is, in the same vein as Jake, a likable enough character that's lacking in depth, the two have one good scene together, but the film doesn't give him much to do besides being Jake's co-pilot. Mako returns, for five minutes, and is given pretty much nothing to do, and the training Jaeger pilots are given very little development, besides the one who, in a totally untropey way, is adversarial to Amara, there's also a similarly tropey kid who's nice to her. Then there's Newt and Gottlieb, the scientists from the first film, Gottlieb's actually pretty good, and has a great line about having nightmares from when they drifted with a Kaiju. Newt on the other hand; on paper, what they do with him is a smart idea, but in execution, it's bloody weak, the film completely fails to explore any sort of character struggle with him and turns a potentially brilliant plot twist into a contrived joke.

Let's talk about that plot, as like Newt, a lot of what it puts on the table is great on paper, but weak in execution. The drone program for example, an interesting idea, if not exactly a new one, about the threat posed by automation. What's weak about this is that the entire drone program is revealed to be a red herring, and not a good red herring, but a daft one. The plot twist is great on paper, but when it comes to fruition in the film, you're just left asking why, it's contrived. The first film wasn't above this; what with the Precursors actually being dinosaurs, but at least that film never broke its own rules, unlike this sequel. Gone are the days of "the deeper the bond, the better you fight," now any pair of drift compatible pilots can be put in a Jaeger and be completely fine, now the size of the Jaeger is important, and one small enough can be piloted by a single person, so all that neural load stuff is nonsense because you don't even need the drift to interface with a Jaeger. Then the film does some retconing that makes literally no sense in the context of the first film, which already didn't make a lot of sense because again, the Precursors were dinosaurs. The film even tries to replicate the emotional beats of the first film, with a tragic drift flashback similar to Mako's in the first film, and a speech before the big finale, the problem is that Amara's flashback conveys nowhere near the same sense of fear and dread that Mako's did, it wasn't scary like Mako's was, and while I like Boyega in the role, he's nowhere near as good of a speech giver compared to his dad. And to top it all off in a nice little package, the film even has a stinger, because Universal still want their own MCU, apparently. All of these problems could be swept under the rug if the film wasn't so try-hard, if it just existed to be a vehicle for the monster mash, like the first, it would have been easier to forgive the problems, but that need to set up a lore and to build the groundwork for a franchise means the film takes itself too seriously, and that approach doesn't work when it's giant robot men fighting interdimensional Godzilla monsters. The film lacks the sense of levity that the first had, it's not as fun.

Pacific Rim was not above being easily nitpicked, it was a flawed film; like its sequel, its characters were weak and its story was daft and dumb. The strength that Pacific Rim had however was Del Toro, the man, the myth, the Mexican who is a master behind the camera, the film was visually stunning, polished to near perfection, and oozing with style. Guillermo del Toro has yet to make a film that isn't fantastic in my eyes, Steven S. DeKnight on the other hand is someone I've never seen before, as his background is in television, with which I'm not very acquainted. Visually speaking, the film doesn't venture too far from the aesthetic established in the first film, though the effects don't look as good this time around. The problem is that the first film was all style; the film was aware that it was dumb and shallow, and prioritised being fun as hell, which it was. Pacific Rim: Uprising however has a cinematic universe to set up, and so takes its story and characters more seriously, while somehow managing to be even shallower than its predecessor, this is a bad combination, as it makes you question the film more, and thus see its flaws more clearly. Like Pacific Rim, Uprising's greatest strength is in its action; now throwing in some Jaeger on Jaeger before the big Godzilla battle in the climax, but without Guillermo del Toro at the helm, it feels like something is missing. The effects aren't as good, the explosive visual style and crushing brutality of the fights is effectively gone, as silly as it sounds, the film just isn't as magical as the first. The fights themselves are entertaining when they're on, but it's a bit like the two American Godzilla's, where one (2014) is a visual feast in the Godzilla scenes, and the other (1998) is just turn your brain off action in the Godzilla scenes. Pacific Rim had style, Godzilla (2014) had substance, Pacific Rim: Uprising tries to have both, but in fact has neither. And something that just boggles my mind; the music from the first film is barely used, the first film's crazy awesome badass theme that makes all who hear it's testicles quadruple in size is used once in the sequel, and not even in an action sequence, but in a montage of the characters repairing their battered Jaegers, which makes it start to look like they were actually trying to suck the magic out of this franchise.

Pacific Rim: Uprising doesn't improve on the first but does succeed in being inferior in pretty much every way. Charisma alone makes Jake a more likable character than Becket, but the sequel still struggles with weak, poorly developed characters, moreover it still struggles with a plot that doesn't make a lot of sense, only with the added hindrance of trying to be serious and set up a Pacific Rimiverse. The Sequel also has the same strength as the first, but again there is the hindrance of the polish and style of the auteur being noticeably absent without Del Toro behind the camera, the film just isn't as cool. The contrivances of the story are made almost impossible to ignore, and the film squanders any potential that it had with lacklustre execution. It's watchable when shit's going down, but in the end Pacific Rim: Uprising just feels like a knockoff, a lower quality clone of its predecessor, a feeling that I couldn't escape once I was out of the theatre, and still can't. Pacific Rim: Uprising is serviceable, but it could have been and should have been so much more, and I personally wouldn't recommend it.

Saturday, 17 March 2018

The War on Pornography: a long series of thoughts

A long time ago (in blog years) I wrote a post titled 'The Conservative Party's war on Porn,' in which I rambled for a few paragraphs about the Conservative British government, headed by David Cameron and then by Theresa May, making numerous attempts to limit, restrict, and control the production, distribution and availability of internet pornography, and how it's a slippery slope of the government slowly taking away people's freedom to consume media. Well, it's over a year later, and me from back then would have hoped that Theresa May's government would be concerning itself with the largest political event this country has seen in decades. But instead Brexit is at a standstill, and Theresa May is proving herself again and again to be too weak to really get anywhere against the European Union. It's already clear that she also has no clue how to properly manage her priorities, wasting time with a pointless and disastrous (and hilarious) election, and attempting to implement the same intensely dubious policies that made me hate this party to begin with. This will be a much broader post than before though, I'll be talking about the Conservatives, but also about violent media, feminism, governmental control of the internet, the influences religion has on society, and porn of course, it'll be really long, so buckle up.

First up, some backstory, before the election results were in, I was expecting the Conservatives to win a bigger majority in parliament, since the closest thing to a viable alternative was Jeremy Corbin, everyone's favourite socialist, I didn't think it was going to be a contest. I still thought they'd win, despite the Conservative manifesto, a cancerous mess of proposals and policies that I'm sure Supreme Leader May thought she could get away with while simultaneously kicking the Labour party while it was down in a landslide victory. That didn't happen however, as the election turned out to be one huge, glorious own goal for May, who lost the party majority that the Conservatives already only barely had, leaving the British parliament in a tight stop, and crushing Supreme Leader May's dreams. As you may or may not have noticed, I'm not a big fan of Theresa May, the reasons for this are numerous, but chief among them is the simple fact that I do not trust her; I never have, it seemed iffy enough when a remainer became the head of Britain's Brexit government, but even before that, I've never seen her as truly having the needs of the nation as a major priority, she's sneaky, Machiavellian, and borderline authoritarian.

My outlook changed slightly with the election, as I no longer saw her as simply borderline authoritarian, but full on authoritarian. Sure, there was the myriad of plans that were miserly and stupid, like free school breakfasts and lifting the ban on fox hunting, which no doubt turned off a bunch of parents and animal lovers, and the unfortunately nicknamed dementia tax, which was an abject disaster, but none of that bothered me more than the internet policies, which were monstrous. This was supposedly a response to the rising threat of terrorism, but I highly, highly doubt that having regulatory control of the internet would make that threat just go away, I said this before about the Investigatory Powers Bill, terrorism is just an excuse. The plans included, but were not limited to, banning the development and distribution of secure software, which sounds real secure don't it, going after closed platforms like game consoles and mobile phones, and, my personal favourite for its sheer lunacy, confiscating foreign nationals' smartphones while they're in the country. You don't have to be a genius to see the holes in these plans; taking people's smartphones is absurd and banning secure software and closed networks is a perfect climate for surveillance, interception and cyber-attack, but it gets worse, as impossible as that may seem.

The regulatory power and intentional crippling of security would effectively grant the Conservative government complete power over the internet, which is more than a little unnerving. Like I've said before, many times, government should not have the power to control or regulate its citizens' consumption of media, though both the Conservatives and the Labour party have been doing that since the days of Tony Blaire and his hate laws. But with the power that the manifesto proposed, it would spread beyond what people can and can't say, extending to what people can see, which is where we finally get to the topic of pornography. Over the years, as I rather insufficiently recalled in my last post on this subject, the British Government seems to really take issue with pornography, and while it has since the dawn of online porn's massive availability, I focused exclusively on the current Conservative Government's puritanical pearl clutching and efforts to kill porn in the UK. I will now outline my stance on the matter of pornography for the sake of clarity, in my opinion, porn is neither a benefit nor a detriment to society, but simply another industry, like books, movies and games, it's a product, though one that, due to its inherently sexual nature and the awkwardness surrounding it, receives far less attention in the public consciousness.

Which is precisely why, as I said last time, it's bound to be mommy state's first target. The public at large doesn't really discuss porn, since it's a bit of a taboo, but what that means is if/when the government makes a move to destroy the porn menace, while smaller voices will speak up, there with be no major resistance from the wider public, after all, it's only porn, and the only people who watch porn are sad, lonely basement dwellers, right? The threat here is that when mommy state has the power to take one thing away, they will inevitably start going after other industries and mediums, it's a slippery slope argument for sure, and porn isn't banned just yet, it's just getting a notoriously censorious organisation put in charge of its regulation, but porn would just be the start. In this case, how long would it be before they target the corruptive force of violence in the media; shooters and action games would have to be censored and regulated because they encourage violence, but the rabbit hole would just keep going deeper from there; for instance, in driving and racing games you can drive irresponsibly, in RPG's you can make morally dubious decisions, and in a certain popular puzzle game there's cute little talking gun turrets, once you can justify censoring one corruptive force, you'll inevitably be able to justify censoring them all. This would be the inevitable end of government control of the internet, China style censorship and regulation that would result in a far smaller, far more restricted internet, where the Government has control over media distribution and consumption. YouTube would be heavily policed or gone because of the Alt Right, Twitter and Facebook would be gone because of all the hate speech, search engine results would be heavily filtered, and porn would simply not exist, because it's dirty and dangerous to the kids, as is Call of Duty and Marvel movies, because they're violent. And at that point, who knows where it would stop; smoking can cause cancer, alcohol can fuck up your organs, and high fat and sugar foods can cause obesity, these are areas that the government is already making moves in. It really becomes a matter of how much freedom the state thinks it can trust its citizens with, since their agency might lead to them making bad decisions, and that's charitably assuming that their intentions for such authoritarianism are good.

Yes I sound like a tin foil hat wearing conspiracy nut right now, but going back to my thoughts on Theresa May, I do not trust her, though I would absolutely trust her to find justifications for ridiculous and tyrannical policies, like, for example, using terrorism as a justification for taking over the internet, and my distrust of her would make me more than comfortable to believe that her scheming wouldn't stop with the conquest of the internet. This has been made painfully observable in just the last few days as of me writing this, with Canadian activist Lauren Southern being detained and denied access to Britain on suspicion of terrorism. As absurd as it sounds that a young, sexy libertarian from Canada can even be considered a terror suspect, the apparent reason is her previously distributing 'racist' flyers stating that Allah is a gay god, like that has anything at all to do with racism and isn't a blatant admission that some ideas are above mockery in this country. Not to mention how it looks that British border police are arresting right-wing activists, given how they treat right-wing activists like Tommy Robinson within the borders, I'm firmly dissuaded from believing that there's no political bias involved. The justification is a moral panic; Lauren Southern wants to spread racism against a religion, Theresa May has tried to exploit hysteria about terrorism to push dangerous online policies, David Cameron, throwing in a twist, attempted to justify his porn policies by trying to cause a moral panic *cough* "normalising sexual violence against women... poisonous to the young people" *cough*. And this isn't unique to Britain either, with both major parties in America trying to use the moral panic around guns to push their own agendas, be it trying to amend or repeal the second amendment, or using it to push for censorship in the media. But when it comes to guns and violent media, there's a correlation causation conundrum, school shooters may play violent video games, but that may simply be incidental, and omit contributing factors that take far greater precedence, such as a person's mental or emotional wellbeing, mental or personality disorders, and external factors like abuse and stress. It also fails to consider that violent video games are played all over the world, but shootings are significantly more frequent in the United States, which has more relaxed gun laws compared to nations like Britain, implying that it's much more of a gun issue than it is a video game issue.

Getting back on topic, I did a bit of info digging, as is only right when trying to be assertive on a topic, and what I found was genuinely surprising. In secular, developed parts of the world like America, Britain and Europe, Pornography has generally more relaxed laws around it in comparison to more theocratic and or less developed parts of the world, like Africa and the Middle East, where porn is illegal in most nations, again though, we face a correlation causation conundrum. Here's the conundrum, and I included a couple of world stat maps for visual reference, with the bottom one showing Suffrage by country and year. There would appear to be a correlation in these maps; more secular, developed nations like America, Britain and the European nations, who reached suffrage earlier and rank higher in gender equality than African and the Middle Eastern nations, also have the most relaxed pornography laws. The cause of this could be many things, one such possibility is that this reflects the development of liberal and egalitarian values across the globe with regards to women. Meanwhile in less enlightened parts of the world, like the highly conservative and theocratic Islamic states, women's liberties are severely restricted, and coincidentally, so is access to pornography. What this implies is that as a nation becomes less religious, like a lot of western nations are doing, traditions and beliefs of modesty become more relaxed, and beauty starts to be embraced more hedonistically, in other words, people like looking at naked people, and god can no longer tell them that they can't.


The modern world is slowly losing its faith, to a heathenous non-believer like myself, that's a good thing; old, unchallengeable ideas and structures being phased out and replaced by new ideas in a new, more scientific and technological world.  The problem that losing religion comes with is the loss of absolute morality, among other things; while faiths like Christianity and Islam provide rigid, god-ordained codes on what is good and bad, the atheistic mindset of there being no god delegitimises said god-ordained codes. Unlike what hardcore believers say however, people not believing in god doesn't completely destroy society, since we can all generally agree that things like murder and theft are wrong, ideas born from religion that have since been passed down through culture and enshrined in law. But unfortunately, nature is violent, and humans are animals. To compare this to something contemporary, in The Walking Dead, society has been completely destroyed by a zombie apocalypse, inherited religious morals like murder and theft are pushed to their extremes as people fight to survive, and in season 8, there is a war going on, between a collection of survivor colonies that are trying to uphold pre-apocalypse morals and values, and the Saviors, a colony that has abandoned many pre-apocalypse values in favour of a cult of personality surrounding a violent and autocratic warlord. At the core of the war is a clash of ideologies; with Alexandria, Hilltop and the Kingdom all still holding onto a pre-apocalypse societal model, and the Saviors structuring their society into a rigid hierarchy, with Negan and his inner circle at the top, and other colonies that they have enslaved through violence and fear at the bottom. This is common in post-apocalypse stories; violent autocratic systems of governance rising to power, might making right, with the apocalypse restarting a survival of the fittest mentality. And among the survivors, there will always be loyalists; not just people who group around the strongest and fittest to ensure their own survival, but in the case of systems like the Saviors, perhaps to also find a sense of order in the chaos of nature, a guiding hand, or rather a barbed baseball bat, to help them make sense of the world.

There was a point to that little digression, I swear. While humanity is made equally in the eyes of the law, or at least they should be, they are not and will never be made equally in the eyes of nature, there will always be strong and weak, there will always be leaders and followers. This is where religion, and eventually modern ideological movements like Feminism come into play. A desire to make sense of chaos is one of the reasons Religions have so much appeal; they provide answers, as well as providing absolute morality. In this sense, ideologies like Feminism are modern religions; as they provide answers that make sense of the world, although in the case of feminism, those answers almost never make sense, because like religion before it, it has a habit of getting cause and effect mixed up. Feminists, for example, see the discrepancy in average earnings between men and women and assume that this is by design; the pay gap, they go on the assumption that it's by design for the same reason that a creationist assumes that the human body was designed, they believe there is a higher power. The key difference here however is that in the case of creationists, that power is a benevolent god, while in the case of feminists, that power is a malevolent, oppressive system; the Patriarchy, but both groups are doing the same thing, looking at something that doesn't appear to have a natural reason for being, and therefore inferring that the reason is not natural. Ignorance plays a big part in this, for obvious reasons; with both groups using confirmation bias to support their conclusions. But there is another sense in which Feminism is a religion, and that is, of course, morality, which is where Feminism goes from stupid to sinister.

Feminism, like Christianity, has encoded in its core beliefs a system of morality. Feminism, like Christianity, has an enemy. The Patriarchy, by the feminist definition, is a gender-based hierarchy that values men over women, and in which men have most, if not all the power. Feminism has, however, become a joke on the internet over the last few years, as their version of Satan has been repeatedly and mercilessly refuted; there is no such thing as the Patriarchy, as a system that values men more than women would never allow for such a huge discrepancy in workplace fatalities, homelessness and violent crime victimisation, let alone grant women the right to vote and run for office. And since it's very creation, Feminism has held, if not been completely built upon anti-male sentiment, taking the social justice approach that states that the oppressed can hate their oppressors, and that men are the oppressors, thus it's okay to hate men, like this lovely pair of cunts protesting Father's Day. In this oppressor-oppressed system, women are naturally the oppressed, and face all sorts of injustices at the hands of society, which is where feminist morality is rooted, things such as the dreaded male gaze, the immoral act of men liking sexy women, which is where Anita Sarkeesian's push for feminism in gaming is rooted. Men like sexy women, but this is objectification, dehumanising women for the pleasure of men. And hence, in Sarkeesian's mind, sexy women in video games is wrong, as is depicting men in powerful or dominant roles, as they enforce "harmful" and "problematic" gender norms in the "presumed straight male player". This positively poisonous mentality naturally spills over to other medias, films, books, and even music, and if it's morally wrong to portray women as sexy and to portray men as powerful and dominant, because sexy women is objectification, and maleness is toxic, that effectively makes Pornography, an industry built entirely on sexual desire on appeal, the literal manifestation of evil.

There is another thing Feminism has in common with religion, and that's its ability to influence politics. The ideology preys of the good intentions of people around it by trying to secure a monopoly on ideas such as gender equality, after all, you want women to be equal, right? But that's only what the dictionary says Feminism is about, as I said before, for decades now, Feminism has been a distinctly anti-male ideology; proclaiming that all men are sexist and that they need to sit with their legs together on public transport because their anatomy is sexist, lest we forget the absolutely abhorrent Feminist beliefs that all men are potential rapists and abusers, and that men are never victims of anything ever, never mind all the homelessness, domestic abuse perpetrated by women, and that in countries like mine, it's legally impossible to convict women of rape, because equality. So when feminism uses the goodwill of the normies to get itself into high places like politics and industry, that toxic mentality can start doing some serious damage; like not funding abuse shelters for men, enforcing gender equity policies that throw meritocracy out of the window and breed mediocrity, and spew out propaganda about "toxic masculinity," about manspreading and mansplaining and using questionable or outright false statistics to make the genders afraid of each other. Their Feminist puritanism naturally therefore starts to spread to media policy; which usually ends in censorship, yay. You can no longer show women who are weak, feminine, sexually appealing or subordinate, as that would be sexist and immoral, meanwhile you also get strongly discouraged from showing men as strong, masculine and in a leadership role, because that promotes harmful, patriarchal, misogynistic and bla bla bla. And again, if portraying women as sexually appealing and feminine is immoral, then you're bound to think that porn is the worst thing in existence, and if you're a feminist activist or politician who can influence policy, there's no limit to how far you can spread the cancer.

In the past, it was religion that tried to strangle porn, because it was against the will of god to indulge in the pleasure of human beauty and sexual desire. But the rise of the internet has led to an explosion in availability of all kinds of products and medias, a product of more enlightened and technological world. But with the decline of religion came a loss of divine morality, and a spiritual vacuum that was always going to end up being filled, be it by another religion, or by a new belief system built upon a similar framework to religion. In the secular western world, that vacuum came to be filled by progressive ideologies, one such being Feminism, an ideology every bit as hostile to pornography for remarkably similar reasons; because they too believe that indulging in sexual desire is immoral, though because of Patriarchy rather than the word of god. Feminism is also very good at infiltration and has managed to infest numerous industries and implement policies that sate their beliefs, while feeding on the goodwill of everyday people. This scheming isn't unique to Feminism however, as authoritarian politicians are everywhere, ones who have their own agendas and beliefs, and will use any justification to push their agendas at every turn; censoring media, banning journalists from entering the country on politically motivated grounds, increasing their own power, and targeting industries that they deem immoral and corruptive. One such politician is our current PM, Theresa May, whose grossly authoritarian and miserly policies cost her party their majority in parliament, a much-deserved self-inflicted wound. Her priorities are backwards in the age of Brexit, as like the last few PMs before her, she's out to control the citizenry's consumption of media, and sees Porn as an easy target thanks to the public apprehension surrounding it, and an obvious target in a new age of feminist and progressive puritanism, of which I highly doubt she isn't a firm believer. The AgeID system may not be a ban, but it's a policy that, once in place, will be there forever, and will inevitably be expanded upon in the future, it's just another step towards that ban, a ban that would be a victory for censorship, and the start of very long, very dark road.

Now, assuming you've made it this far, you may think this incredibly long screed to be a stroke of genius, or the ramblings of a maniac; one deeply delusional and paranoid, and who thinks that the Government wants to delete his digital spankbank. If you think that of me, I'm fine with that, but my intention is to be honest, right or wrong, about what I think of the war on pornography. Really, it's not a war on porn at all, but a war against the open consumption of digital media, which I why it should worry you as it does me, because the tendrils of censorship are always looking for new things to strangle, and it's reaching would never end with the destruction of porn. As usual though, feel free to disagree, and thanks for reading.

Thursday, 15 March 2018

Game Night movie review

Here's what you need to know; Max and Annie, having been married happily for several years, are ready to take their relationship to the next level, but are struggling due to Max's feelings of inadequacy to his more successful brother Brooks. To sate their highly competitive nature, they host weekly game nights with their friends, but tonight's game night is going to be different, as Brooks is hosting, as has found himself in the crosshairs of a gang of deadly criminals. Now with their lives on the line, and not knowing what to believe, it will indeed be a game night to remember.
I really should get used to this; going to the cinema to see films that aren't really on my radar, as once again it was my dad's idea. However, the reason that I said I should get used to it, and not stop agreeing to go is fairly simple, so far he hasn't recommended a bad film. But is this time going to be different, let's see.

Game Night's introduction, as is expected, introduces the audience to its main characters, but what I found cool was how effectively and how sweetly (kill me) it did it. The relationship between Jason Bateman's Max and Rachel McAdams' Annie is immediately likable, as are they, their chemistry is positively adorable, and both work off each other very effectively in the comedic scenes. What surprised me was how hard I was laughing for a sizable amount of this film, and a lot of that's down to the comedy being smart and well written, but it's equally down to fantastic execution; the creepy neighbour character could have been one of the many things that brought this film down, instead his awkwardness and unsettling demeanour is really funny, the discomfort Max and Annie feel around him is darkly funny, and the surprising amount of development these characters get makes you at least partially sympathetic to Garry, even if he is a creep. The black couple, whose names I don't remember, could have easily fallen due to a joke that persists with them for most of the film, a joke that had a really entertaining, and surprisingly unexpected payoff. Then there's the other couple, who I also don't remember the names of; though that's more understandable since they're easily the weakest duo of the film; him being a moron was funny at times, but other times it was just an unnecessary hindrance, and while I much preferred his smarter, Irish partner, I was often watching their scenes and wanting Annie and Max to come back. The reason for that, in addition to me now probably being in love with Rachel McAdams, is just that they were really good; not only was I laughing my arse off at many of their scenes, but as I said before, their chemistry was really good, and the relationship in this film is nicely developed and very heartfelt. Easily the funniest scene in the film is those two in an alley trying to get a bullet out of Max's arm themselves, it's sounds dumb, and looks dumb if you watch the trailer, but it was fantastically executed, and has mixed in with the grizzly humour a decent amount of adorableness, I loved it.


Game Night surprised me in another way while I was watching it, the film is unpredictable. While things appear to be straight forward when the film starts, the film throws several twists and turns in at numerous points. One such twist is rather morbid, but feeds into that excellent character development that Annie and Max have, it's remarkably heartfelt, even considering the morbidity of it. And towards the end of the film, there's one big twist that's similarly morbid, and a little bit less sweet. The big twist does however recontextualise a significant amount of the film's events in a way that I obviously can't spoil. But when the film goes into its climax, with the new context of the twist, a lot of the events of the film, especially the finale, start to become far-fetched; it gets difficult to believe that all of these events could happen in a single night, by pure coincidence, as the film does a bit of an Inception with all of its fake over real over fake sequences, and it's a stretch to believe that all of the pieces miraculously fell into place without anybody dying. It's not enough to ruin the movie, far from it, but I found the film more enjoyable and intriguing for the first two thirds as opposed to the finale, even with the handful of really funny gags in said finale. A final thing that I found interesting was the way the film looked; the film was filmed very standardly in several scenes, albeit with a comedic element, but at several points the film employs miniature faking, my guess is it's to invoke thought of a board game, like Monopoly, and in the context of the twist, that makes a lot of sense, but whatever the reason, it's not something I see that often in film, and I liked it. The film also had a cool way of framing car chases, though if that technique has a name, I don't know it, again though I reckon it's to gamify the film's presentation, like the miniature faking, and if so, it works, I like it.

I had a really good time watching Game Night, it was far better than I was expecting it to be; I thought it'd be fine, instead I really enjoyed it. The film had far more character depth than I was expecting, an aspect that greatly benefits it, as it's very easy to get invested in Annie and Max, who are both extremely funny and likable characters. By comparison however, the other two couples are less entertaining, but even they were funny at times, and the film's humour is very well executed and written, resulting in a film that's as funny as it is sweet. The film does struggle in its finale though, as it strays into the realms of unbelievability, but it's not enough to spoil the film as a whole. Game Night is a lot of fun, and it's definitely worth watching.

Friday, 2 March 2018

Moar Blu Rays: January & February 2018

I didn't do a Blu Ray update last month, I know, hell of a start for a series of monthly updates, but unlike usual, the reason wasn't laziness, but instead simply that I bought all of two Blu Rays in the month of January, and didn't feel that an update was really worth doing for such a small number. This month however, much to the agony of my bank account, I mended that error with a series of decent Blu Ray hauls, and before you is the spoils of those hauls, plus January's loot to pad out the number a bit. From the month of January comes IT, a film that I, obviously, have a massive amount of love for, and a film that I got in trouble for when I showed it to my 5 year old nephew, who, unsurprisingly, is now absolutely terrified of Pennywise, but what's the point in being an uncle if you can't be a bad influence. We also have Kingsman: The Golden Circle, the perfectly serviceable sequel to the film that made me fall in love again after my breakup. What's sad is that's all true, I was in a bad place, I saw The Secret Service, and now movies are my life, though serviceable might be a misleading word, because The Golden Circle's actually a lot of fun. Now for February, from where the real meat comes; the three 5 for £30's are The Goonies, Cloverfield and Get Out, it's three instead of five simply because I was pressed for time. Cloverfield's now a franchise, so I guess I should watch the first one at some point, and The Goonies is a film that I, probably like many people, watched countless times in my younger years, and Get Out's good, apparently, but I had a Black Panther screening to make, so Get Out was just so I could still get the 3 for £20 deal on 5 for £30's and still be in time, yep, literally the reason. Going less impulsive and more substantive, on the same day I also snagged the Indiana Jones collection, both because Temple of Doom was a film that scared me as a kid, and because I know there's an Indiana Jones binge at some point in my future. Lego Ninjago, because I never reviewed it when it was out in cinemas, and to round out my Lego Movies, and on the topic of rounding out; The Mummy Returns, I now have the Boris Karloff Mummy, the Tom Cruise Mummy (yes, I actually do, I also have Paul Feig's Ghostbusters) and now, the complete trilogy of Brendan Fraser Mummy's. Surprisingly, I've been chasing The Mummy Returns since August, when I picked up Tomb of the Dragon Emperor in Tenby, and in case you haven't already noticed, there's some real garbage in my Blu Ray collection.

As evidenced by our next turd- just kidding, Blade Runner 2049 is absurdly good; it's a film I think more highly of the older it gets, so god help me in ten years when I love it more than my wife and kid that I'll never have. If I ever did have a kid though, they'd inevitably be raised on films like Jumanji, a Blu Ray I already had, but bought again when I saw that sexy steelbook, seriously, look at it, it's fucking sexy, I can hear the drums just from looking at it. They will not, however, be raised on Hellraiser, a Blu Ray three pack I now have thanks to the YouTube channel Midnight's Edge and their Hellraiser series with Gary Tunnicliffe, I've recommended them before, back when the Ghostbusters controversy was in full swing, but if you don't know who they are, they're worth checking out, so do that. Ghost in the Shell: The New Movie, I quite enjoyed the original anime, and I'm even one of those imperialistic racism apologist freaks who liked the live action adaptation, so when I saw my chance to grab The New Movie, a film I know literally nothing about other than that it exists and that it has a comically literal title, I took it. Thankfully liking Halo doesn't make me an evil racist, I think, so I also snagged the video collection, which will hopefully be more functional than the MCC. Truth be told, I already had Nightfall, Forward Unto Dawn and Fall of Reach on Blu Ray, because Halo is the tits, but it was dirt cheap, and I didn't have Halo: Legends on Blu Ray, so that justifies making three more duplicates, right? And that just leaves Thor: Ragnarok, I'm still on my mission to own the entire MCU movie collection on Blu Ray, so Thor: Ragnarok was an inevitability, that and I had a lot of fun watching it in cinemas, now I only have two goals; get The Incredible Hulk, and get binging before Infinity War, oh goodie. And so concludes the roundup of my latest snags, because like I said last time, I'm an addict, and movies are my drug, which I suppose is a good thing, I suppose.